Art and Engines – Vernissage at McLaren Milan with Paolo Battistutta

On the morning of Saturday 05 March 2022 at the McLaren Milan headquarters there was a vernissage with the artist Paolo Battistutta.

An exceptional setting with the exhibition of two forms of art: on the one hand that of forms-engines and on the other forms-colors.

A moment of encounter where the common denominator was beauty, elegance and the desire to return to normality by finding people and new projects. Thus the showroom has become a bit of the artist’s atelier where he exhibited his latest work or really “Queen.”
Elisabeth Il ‘*, a very generously sized painting of 2mx3m depicting the iconic Queen Elizabeth Il.

The perfect combination that takes up the English roots of the parent company and turns to the future in a dance of contrasting colors where we can find references from masters such as Warhol, Matisse but also Picasso.

The complementary colors are in harmony given the skilful use of color and the desire to find a constant balance.
As indeed also in the supercars in the showroom, these too are works of art where the elegant and sinuous lines certainly do not take away the sporty imprint that has always distinguished McLaren.

A successful project given the attention to the lifestyle that the brand always places on all its events. In fact, also on this occasion there was the involvement of the De Luca tailoring and the invitation of personalities from the star system and entrepreneurship.

To support the entrepreneurial artist Paolo Battistutta we find the Argentine entrepreneur Christian Gaston Illan, his partner Maria Giulia Linfante and his partner Luca Sardi

Emanuela Zini
My professional life has been marked by several big changes that made me grow as a person and as a leader, develop new skills and mental flexibility, which in turn allows me to face challenges from a different, unique perspective. To me, writing represent a way to communicate with myself and with others. Telling stories and engaging my readers are the challenges that I am currently facing within a wider editorial project.

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