In Terni the exhibit AMARSI. L’Amore nell’Arte da Tiziano a Banksy

Antonio Canova, Venere con amore in fasce, 1798

Until April 7th, 2024, 40 masterpieces dedicated to love in art.

The Cassa di Risparmio di Terni e Narni Foundation (Carit) presents the exhibition “AMARSI. L’Amore nell’Arte da Tiziano a Banksy” gathering in the spaces of Montani Leoni Palace, in the heart of Terni, about 40 masterpieces between painting, sculpture and ceramics dedicated to Love, from major Italian museums: from the Uffizi to Capodimonte, from the National Gallery of Modern Art to the Pinacoteca Ambrosiana, the collection includes works by Tintoretto, Dosso, Guercino, Reni, Canova, Hayez, De Chirico, Balla and Banksy.

Giovan Francesco Barbieri known as Guercino, Venus, Mars and Love, 1633
Giovan Francesco Barbieri called il Guercino, Venere, Marte e Amore, 1633

Conceived as homage to Saint Valentine (3rd-4th cent.), protector of lovers and patron saint of Terni, the exhibition “AMARSI. L’Amore nell’Arte da Tiziano a Banksy” offers a compelling tale that collects the best-known and most exciting iconographies dedicated to the sentiment that has most inspired artists over the centuries, from Greek and Roman mythology, through the icons of medieval spiritual love, to the recovery of the Ancient in the Renaissance era, its transformation in the Baroque and the nostalgic look in the nineteenth century.

Francesco Hayez, The Kiss, post 1859
Francesco Hayez, Il bacio, post 1859

The exhibition presents for the first time to the public the canvas “Venere e Adone” (c. 1554), which originated from Tiziano Vecellio ‘s workshop under the supervision of the Venetian master and recently became part of the Carit Foundation Art Collection. Notable masterpieces include: Hayez’s Il Bacio (the watercolor study), Guercino’s Venere, Cupido e Marte, De Chirico’s Gli addi (Ettore e Andromaca), Balla’s Il Dubbio, Banksy’s Balloon Girl.

Luteri Giovanni, called Dosso Dossi, Psiche abbandonata da Amore, 1545
Luteri Giovanni, called Dosso Dossi, Psiche abbandonata da Amore, 1545

The exhibition is curated by Costantino D’Orazio, with co-curatorship and direction by Anna Ciccarelli and with the collaboration of Federica Zalabra.

The exhibition will be accompanied by a catalog published by De Luca Editore with texts by Stefania Auci, Anna Ciccarelli, Costantino D’Orazio, Angelo Mellone and Federica Zalabra.

The exhibition design was handled by Studio Sciveres Guarini.

Bernardino Di Betto known as Pintoricchio, Madonna and Child with Saint John,post 1490 - ante 1495
Bernardino Di Betto called the Pintoricchio, Madonna con il Bambino e san Giovannino, post 1490 – ante 1495
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